1-17 POSTER
AD/D
2023/10
STOCK MEMBERS GALLERY 2024

Takeo Co.,Ltd.


普段ポスターは鑑賞者とポスターの間でコミュニケーションが完結されるが、今回展示される空間を生かし、鑑賞者とポスター、環境の3つで成立するポスターにし、窓際の光とコンクリートの壁を取り入れる6点シリーズのポスターを作成。見えている現実[SEEING]と錯覚により認識するイメージ[BELIEVING]とのギャップにより視覚の違和感を生むポスター。

While posters typically serve as a means of communication between the viewer and the poster itself, this time we took advantage of the exhibition space to create posters that interact with not only the viewers but also the environment. We created a series of six posters that incorporate the light from the window and the concrete walls, forming a communication among the viewer, the poster, and the environment. These posters generate a visual discomfort through the gap between the reality that is seen [SEEING] and the image perceived through illusion [BELIEVING].




1-10 POSTER
AD/D
2023/10
GRAPHIC SCULPTURE

ART WORK


データなどの不具合によって生じるエラーの総称で、特にデジタル領域で起こる破損の現れを「グリッジ」という。人間の組織や自然など、あらゆるシステムでグリッジは生じ、一般的には負のイメージがある。そこで人工物や自然のイメージをモチーフとし、グリッジによって偶発的に生じた立体的な見え方を利用し、視点を変えれば負の要素も美しく見えることを表現した彫刻のような平面作品。

A general term for errors caused by defects in data, etc., and especially the appearance of corruption that occurs in the digital domain is called a glitch. Glitches occur in all kinds of systems, including human organizations and nature, and generally have a negative image. This sculpture-like two-dimensional work uses images of man-made objects and nature as motifs, and utilizes the three-dimensional appearance accidentally created by glitch to express the idea that even negative elements can be seen as beautiful if you change your perspective.




1-5 POSTER
AD/D
2023/10
KIRIGAMI

ART WORK


花をテーマに偶然できた切り絵を再構成。切り絵の中に奥行きのあるテキスタイルを入れることで、3Dにも見える平面作品。

Reconstructing papercuts created by chance with the theme of flowers. A two-dimensional work that looks 3D by incorporating textiles with depth into the papercuts.




1-5. Card Design
AD/D
2024/12
NEW YEAR'S CARDS 2025
TAKEO Co.,Ltd.

2025年の年賀状。干支の蛇が擬似的に再現した紙の下を這っている様子を表現。インクを厚盛りすることでできた凹凸でデザインを再現した。株式会社竹尾の見本帖本店で行われた第20回クリエイター100人からの年賀状展へ出展。


New Year's card for 2025. The snake, the animal of the Chinese zodiac, is depicted crawling underneath a simulated piece of paper. The design is recreated with unevenness created by applying thick layers of ink. This was exhibited at the 20th New Year's Card Exhibition from 100 Creators, held at Takeo Co., Ltd.'s Sample Book Store.



1. CI
2-3. Situation
AD/D
2023/5
KOHARU

中川養蜂園


福島県にある養蜂園のロゴデザイン。
日本みつばちが1年かけて集めたはちみつは小春日和の様な穏やかな味わいで、綺麗な琥珀色。これらのはちみつの特徴を「琥春」というネーミングに込めました。またはちみつ作りにおいて、分峰箱の巣穴がみつばちが入ってくる重要な要素の一つ。「琥春」の文字をみつばちに見立てて、巣穴に入っていく様子をシンボル化しました。


A logo design for a bee farm in Fukushima Prefecture.
The honey collected by Japanese honeybees over the course of a year has a gentle taste like the New Year’s Eve and a beautiful amber color. These characteristics of honey are included in the name “Koharu”.
Or in honey mthe burrow of the branch box. The character of “Koharu” is likened to a honeybee, and the appearance of entering a burrow is symbolized.




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2022/9—2023